Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of mo...(展开全部)

保罗•谢奇•乌塞（Paolo Cherchi Usai），现任荷兰Haghefilm Foundation 总监，曾任澳大利亚国家视听资料馆馆长、美国乔治?伊斯曼影像博物馆电影部门高级馆员、罗彻斯特大学电影学副教授，杰弗瑞?塞茨尼克电影保护学校校长。曾与人共同创办波尔德诺默片影展及国际早期电影研究促进会（DOMITOR）；他同时是美国国家电影保护局预备成员和国际电影资料馆联盟执行委员会委员。其著作有《无声电影导论》（Silent Cinema: An Introduction , 英国电影学院出版，2000）等。

The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable space for critical exploration in History and other Humanities disciplines. This has been informed by a heightened awareness of the role that the senses play in shaping modern identity and understanding of place; and increasingly, how the senses are central to the memory of past ex...(展开全部)

The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable space for critical exploration in History and other Humanities disciplines. This has been informed by a heightened awareness of the role that the senses play in shaping modern identity and understanding of place; and increasingly, how the senses are central to the memory of past ex...(展开全部)

In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for th...(展开全部)

In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for th...(展开全部)

The first major illustrated survey of this exciting, new, and experimental field. Building on the traditions of art history and using advanced technologies, digital artists push the boundaries of artistic expression and explore some of the most urgent social, political, and biological issues facing humankind today. Traditional activities such as painting and sculpture have be...(展开全部)

The first major illustrated survey of this exciting, new, and experimental field. Building on the traditions of art history and using advanced technologies, digital artists push the boundaries of artistic expression and explore some of the most urgent social, political, and biological issues facing humankind today. Traditional activities such as painting and sculpture have be...(展开全部)

康斯坦斯·克拉森，康考迪亚大学的研究员，感觉史研究专家，长期专注于感觉史的研究，致力于探索人类感官知觉与文化之间的关系，以及感官经验如何影响了社会和文化的发展等主题。代表作有《感觉的世界 :探索历史与跨文化的感觉》《芳香 :嗅觉文化史》《深层感知 :触摸的文化史》《感知的方式 :理解社会中的感官》，曾担任六卷本《感官文化史》丛书的主编。

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landsca...(展开全部)